| 11. | It is not clear that this is actually a secondary thematic group as found in a sonata-allegro form.
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| 12. | The early binary sonatas by Domenico Scarlatti provide excellent examples of the transition from binary to sonata-allegro form.
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| 13. | For example, the first movement, unlike most sonata allegro forms, which the second theme of the exposition is Hammerklavier.
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| 14. | The first movement begins with a slow introduction ( he does this in only two other symphonies, sonata-allegro form.
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| 15. | The first movement is written in common sonata-allegro form, and an array of techniques are used to mimic orchestral colors.
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| 16. | Each movement is complete within itself, but you can also regard the entire work as a great big sonata-allegro form ."
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| 17. | Slow movements, in particular, are seen as being similar to sonata-allegro form, with differences in phrasing and less emphasis on the development.
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| 18. | The oboes and horns drop out of the second movement, which is another essay in sonata-allegro form, written for the strings alone.
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| 19. | The first movement is in sonata-allegro form, and begins with a rhythmically flexible, unpredictable 6 / 4 melody in the violas and cellos.
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| 20. | The first movement, which a C major essay in sonata-allegro form, sounds at first to be in due to the presence of triplets.
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