The seventh mode of western church music is an authentic mode based on and encompassing the natural scale from G to G, with the perfect fifth ( the D in a G to G scale ) as the dominant, reciting note or " tenor ".
12.
The intonation formulas, called " enechema " ( gr . ?????? ), for the authentic modes or " kyrioi echoi ", usually descend within the pentachord and turn back to the finalis at the end, while the plagal modes or " plagioi echoi " just move to the upper third.
13.
While the premise of having this novel take the form of a writer's journal may seem similar to that of " Lives of the Poets, " while Pemberton's struggles to find an authentic faith recall the struggles of that earlier book's hero to find an authentic mode of living, the two books differ enormously in effect.
14.
Glas ( " voice " ) 1 4 are the authentic modes or plagioi echoi ) used the same octave species like " glas " 1 4, but their final notes were a fifth lower on the bottom of the pentachord with respect to the finales of the kyrioi on the top of each pentachord, the melodic range composed in the plagioi was usually smaller.
15.
Although the earlier ( Greek ) model for the Carolingian system was probably ordered like the Byzantine " oktMchos ", with the four authentic modes first, followed by the four plagals, the earliest extant sources for the Latin system are organized in four pairs of authentic and plagal modes sharing the same final : protus authentic / plagal, deuterus authentic / plagal, tritus authentic / plagal, and tetrardus authentic / plagal.
16.
Considering this, the editors of the " Norton Anthology of African American Literature " assert that, " Malcolm's " Autobiography " takes pains to interrogate the very models through which his persona achieves gradual self-understanding . . . his story's inner logic defines his life as a quest for an authentic mode of being, a quest that demands a constant openness to new ideas requiring fresh kinds of expression ."
