The user talk pages of editors known for expertise in the field " . " Expertise " means " technical expertness " ( " M-W Unabridged " ); if Vadon didn't have it, his photograph likely wouldn't have stayed in the lead of this highly visible BLP for over a year.
12.
He cites, for example, Philip Gosse, an English naturalist traveling in Alabama in the 1830s, who wrote, " The long rifle is familiar to every hand; skill in the use of it is the highest accomplishment which a southern gentleman glories in; even the children acquire an astonishing expertness in handling this deadly weapon at a very early age ."
13.
United States v . Mead Corp ., 533 U . S . 218 ( 2001 ) explicitly reaffirms Skidmore, and reiterates deference to agency interpretations that do not have statutory authority resulting from a rule-making process are based on " the agency's care, its consistency, formality, and relative expertness, and to the persuasiveness of the agency's position ."
14.
Thus they display in battle the speed of horse, [ together with ] the firmness of infantry; and by daily practice and exercise attain to such expertness that they are accustomed, even on a declining and steep place, to check their horses at full speed, and manage and turn them in an instant and run along the pole, and stand on the yoke, and thence betake themselves with the greatest celerity to their chariots again.
15.
John Mosher of " The New Yorker " praised the " great care " that had been taken with the historical accuracy of the film's visual details, which he thought " as good as anything that has come out of Hollywood, and because of this expertness the film gains especial value . " He also write that Richard Dix was " certainly at his best in this role . " His only criticisms concerned the second half of the film, which he thought had " sagging moments " and an ending that was too abrupt . " The Evening Independent " called it " a notable addition to the small list of pictures that the years have given to the American theater.
16.
De Mille's direction and choreography were reviewed generally positively; Cecil Smith applauded her for the " ease and flawless design with which Miss de Mille brings mobility to these non-dancing [ singing and speaking choruses ] . . . no previous musical has approached " Allegro " in consistency of movement, expertness of timing and shapeliness of visual patterns . " Times " dance critic John Martin stated, " " Allegro " has definitely made history " for de Mille's giving " form and substance to material with little of either " . " Dance Magazine " praised her for creating " the illusion of space and depth far beyond the confines of the proscenium ".
