A photograph or single-eye view of such a diorama can be especially convincing since in this case there is no distraction by the binocular perception of depth.
12.
Circular polarization has alleviated this problem, allowing viewers to tilt their heads slightly ( although any offset between the eye plane and the original camera plane will still interfere with the perception of depth ).
13.
Translating the film into 3-D involved revisiting the original computer data and virtually placing a second camera into each scene, creating left eye and right eye views needed to achieve the perception of depth.
14.
Syaoran specializes in hand-to-hand combat, mainly focusing on kicks taught by hunter SeishirM during his childhood when he had no visual perception of depth because he was blind in his right eye.
15.
One possible reason for this illusion is that the diagonal lines around the blue lines give a perception of depth, and when the blue lines are included in that depth, they are perceived as different lengths.
16.
Translating the films into 3-D involved revisiting the original computer data and virtually placing a second camera into each scene, creating left-eye and right-eye views needed to achieve the perception of depth.
17.
He discovered that vertical photos taken with 60 % overlap could be used to create a stereoscopic effect when viewed in a stereoscope, thus creating a perception of depth that could aid in cartography and in intelligence derived from aerial images.
18.
Laws discovered that vertical photos taken with 60 % overlap could be used to create a stereoscopic effect when viewed in a stereoscope, thus creating a perception of depth that could aid in cartography and in intelligence derived from aerial images.
19.
The altered perception of depth was temporary : it could easily be unlearned ( by watching the cube rotate without the telestereoscope ), and the effect dissipated spontaneously after a few minutes, even with if the subjects simply sat with eyes closed during that time.
20.
Through creative freedom, the artist uses a two dimensional surface to [ visually ] convey an unusual perception of depth, which consists of bold geometric structures and colors to explore spatial boundaries and higher dimensions of vibrancies along with spiritual, and planetary transformation through personal growth.
