| 11. | Rick Perrotta went on to found " Royer Labs ", a company that manufactures ribbon microphones.
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| 12. | The R-121 Ribbon microphone contained two innovations that delivered the performance levels necessary for professional studio use.
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| 13. | Ribbon microphones are similar to moving coil microphones in the sense that both produce sound by means of magnetic induction.
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| 14. | Ribbon microphones are typically bidirectional, meaning that they pick up sounds equally well from either side of the microphone.
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| 15. | David Royer designed his first ribbon microphone in 1997 and started the company that bears his name one year later.
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| 16. | There is a common belief that connecting a dynamic or ribbon microphone to a phantom-powered input will damage it.
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| 17. | Due to their bidirectional pick-up pattern, ribbon microphones are often used in pairs to produce the Blumlein Pair recording array.
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| 18. | In addition to the usual choices, Kramer used Beyer M1 60 ribbon microphones, which were typically not used to record loud music.
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| 19. | If the ribbon microphone is improperly wired, which is not unheard of with older microphones, this capacity can damage some ribbon elements;
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| 20. | In the late 1920s, Dr . Harry F . Olson of RCA began development of the ribbon microphone, eventually using permanent magnets.
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