Hymns Old and New ( New Anglican Edition-published by Kevin Mayhew Ltd ) uses Wurttemberg with Alleluias ( attributed to Hundert Arien, Dresden 1694 ) for'Christ the Lord is Risen Again '.
22.
In Lalanne, " Recueil d'anciens et de nouveaux cantiques not�s " ( Paris, 1886, p . 223 ) greater particularity is indicated in the distribution of the stanzas and of the Alleluias.
23.
Panis quem frangimus corpus est D . N . J . C . Calix quem benedicimus sanguis est D . N . J . C . in remissionem peccatorum nostrorum ", interspersed with six Alleluias.
24.
The added lilt on the final alleluias in the third number, " Blessed is the man, " while undoubtedly Shaw's idea, sounded slightly mechanical in its technical perfection here : one of the few false notes of the evening.
25.
At first Vespers of Septuagesima Sunday, two alleluias are added to the closing verse of " Benedicamus Domino " and its response, " Deo gratias ", as during the Easter Octave, and, starting at Compline, it is no longer used until Easter.
26.
Falconio's works are all of the sacred vocal category, and include introits, alleluias, magnificats, psalm settings, and works relating to the contrapuntal fashion, in his collection " Introitus et Alleluia per omnes festivitates totius anni ", he included an explicit part for organ accompaniment in the publication.
27.
Both the " Asperges " and the " Vidi aquam " are structured like the Introit of the Tridentine Mass : 1st verse ( which includes Alleluias in Eastertide ), 2nd verse ( always from the Psalms ), Gloria Patri ( omitted in Passiontide ), and then the 1st verse again.
28.
In the medieval church, all that portion of the liturgical song which was performed by the entire choir, or by sections of it, was called " concentus "; thus hymns, psalms, mass ordinary, and alleluias were, generally speaking, included under this term, as well as anything with more complex or distinctive melodic contours.
29.
The obvious influence of Medieval music can be heard in Noon s " Alleluias " for solo flute, winds & percussion, " A Medieval Reliquary " for baritone, flute, cello & harp, " Tristan s Mirror " and " Miroir Estampie " both for 2 pianos, and " String Quartet # 7 le tombeau des troubadours " . Blending Medieval and Renaissance with contemporary procedures has become a hallmark of Noon s pluralistic, Post-Modern work.
30.
Later in 2014 his Magnificat was released on CD / Blu-ray on the label 2L . He has produced a number of works with the Welsh poet Euan Tait, including the widely performed " Flight Song " ( 2014 ), " You asked me to speak " ( a companion piece for " Even When He is Silent " ), " Love's Onward Journey ", " The Call of Peace ", " Child of Song " ( all 2015 ) and a new five movement Christmas work, " The Christmas Alleluias " ( 2015 ).
