Like the original Emulator, it was an 8-bit sampler, however it had superior fidelity to the Emulator due to the use of digital companding and a 27.7 kHz sample rate.
22.
In telecommunication and signal processing "'companding "'( occasionally called "'compansion "') is a method of mitigating the detrimental effects of a channel with limited dynamic range.
23.
Both systems use 2 : 1 companding and provide exactly the same amount of NR and dynamic range improvement in other words, they provide the same end results, but are not at all compatible with each other.
24.
Like the PAL NICAM stereo system, it used near-instantaneous companding ( as opposed to Syllabic-companding like the dbx system uses ) and non-linear 13-bit digital encoding at a 32 kHz sample rate.
25.
Like the PAL NICAM stereo system, it used near-instantaneous companding ( as opposed to Syllabic-companding like the dbx system uses ) and non-linear 13-bit digital encoding at a 32 kHz sample rate.
26.
The Emulator II has a unique sound due to its DPCM mu-255 companding, divider-based variable sample-rate principle and analog output stages featuring SSM2045 24 dB / oct analogue 4-pole low pass resonant filters.
27.
The following year, The UHF-R series was introduced with audio reference companding as a main feature and " wireless workbench " software for computer coordination and control of frequency selection, customized settings, and synchronization of multi-system components.
28.
The data format is 8-bit ?-law companding, increasing sound resolution to approximately 12 bits in the analog domain ( a design technique also employed by other early drum machines, including products by Linn Electronics, E-mu Systems and Sequential Circuits ).
29.
The companding, audio level compression, and audio data compression used in mobile telephony also ruin any data signals used by modem-based devices, including fax machines, medical monitoring devices, and even set-top boxes for satellite TV, preventing their use for anything except displaying the caller ID for incoming calls.
30.
This might be complicated by independent speed variations due to playback, editing, compression, companding, etc ., etc . Unless they were both recorded at the same time and went through the same sort of processing . 3 ) Adjust the gain of one to exactly match the other . 4 ) Then play them mixed together.
