But he has a beguiling keyboard sound, and he made the song work with shimmering, edgeless left-hand chords and a bright, percussive right; he isolated an unlikely snippet of the melody, turning it into a main motif.
22.
"Ready to Wear " ( " Pret-a-Porter " ) : Altman tried to pull a Nashville on the fashion industry with this 1994 film, but it's just long, boring and edgeless.
23.
Similarly, a reviewer from " Alternative Press " was negative, expressing that " the 13 tracks here are improbably edgeless, all love-me-do / love-me-don't plaints that evaporate on impact ".
24.
There are some models called " Open universe " models that have no edge because they are infinite; there are also " closed edgeless " models as well .-- 32 " "'06 : 42, 18 March 2010 ( UTC)
25.
Valiur Rahaman, in his book " Interpretations : Essays in Literary Theory " ( 2011 ), explained aporia as a creative force in both the artist and their art; it is, for the artist, an edgeless edge of the text or a work of art.
26.
The current name for the volcano is composed of the Spanish word " mocho " and the native Mapudungun word " choshuenco " ( pronounced " choswenko " ) . " Mocho " means short cut and refers to the headless or edgeless shape of Mocho's volcanic cone.
27.
"Can we synchronize our watches ? " the balding, edgeless, mildly mild Dr . Jonathan Katz ( voiced by the comic of the same name ) asks his layabout, live-at-home son, Ben, over the phone, trying to set up an important call for later in the morning.
28.
Kyle Anderson of " Entertainment Weekly " found the songwriting perfunctory and commented that the album " furthers the uncomfortable and frustrating disconnect between Brown's hotheaded personal life and his oddly edgeless musical persona . " Jon Caramanica of " The New York Times " criticized Brown's " brazenness " and stated, " Listening to Mr . Brown at the deepest level balances aesthetic pleasures, when they happen, with superegolike self-protection against aligning oneself too closely with someone who's done such heinous things ."
29.
Despite stating that tracks like " Leaving You " and " Cry and Smile " " best showcase [ Lott's ] smoky vocals ", the " Irish Independent " characterised the album as " a middle ground of Bruno Mars and edgeless Winehouse ", expressing that its " main issue " is that " almost everything about it is second-hand . " Will Hodgkinson of " The Times " commented that " [ y ] ou can't get away from the feeling that [ Lott ] is imitating a soul singer rather than actually being one ", adding that " while you can see the record company-led logic of Lott moving away from pure pop and heading towards classic soul, it's a misguided and unconvincing new look . " Killian Fox of " The Observer " wrote, " The execution is proficient enough, but everything about the album lacks character, from the anodyne production to the wafer-thin songs, which reveal what they're all about within the first verse ."
