| 21. | :: : : Presumably drop the pseudo-vowel signs, maybe add a " loaf and egg " feminine ending indicator.
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| 22. | Lines 7 ( scanned above ) and 5 each have a final extrametrical syllable or " feminine ending ".
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| 23. | Usually Polish amfibrachic lines have feminine ending ( for example tetrametre sSssSssSssSs ) but some poets experiment with masculine lines.
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| 24. | The fourth line has a final extrametrical syllable or " feminine ending " ( as does the second line ).
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| 25. | The second line has a final extrametrical syllable or " feminine ending " ( one of six in this sonnet ).
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| 26. | Strip off the feminine ending of the names of the Narrator's lovers Albertine, Gilberte, Andr�e and one has their masculine counterpart.
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| 27. | Shakespeare and John Milton ( in his work before " Paradise Lost " ) at times employed feminine endings before a caesura.
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| 28. | The feminine ending is thought to have developed from a collective / abstract suffix that also gave rise to the neuter collective.
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| 29. | The Latin masculine or feminine endings used in these personal prayers can provide a clue to the gender of the original owner.
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| 30. | During the 19th century, attempts to overlay Latin grammar rules onto English required the use of feminine endings in nouns ending with-or.
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