These books include " Twelve Girandoles " in 1755, " The Book of the Carver " in 1758 and monthly between 1755 and 1758, " One hundred and fifty New Designs ".
22.
The gallery is selling a pair of George II girandoles " in the manner of Thomas Johnson . " Johnson may not be a household name like Chippendale because he was a wood carver, not a furniture maker or designer.
23.
These included his presidential coach and horses ( the coach is now at Mount Vernon ), his presidential desk ( now at the Philadelphia History Museum ), and a pair of girandole mirrors ( now at Mount Vernon ).
24.
The first was his skill in making the fireworks, and especially the girandole for San Giovanni ( evidently he was much more talented in this line than the unnamed girandola-makers succeeding him, whom Vasari disparages as fantocciai ).
25.
No one ever painted clothes better than Ingres, and he gave his all to what Alan Wintermute, in the catalogue, identifies as " a high-waisted velvet pelisse, a lace ruff and mantle, and girandole earrings ."
26.
In 1924 he and his horse " Girandole " won the silver medal as part of the Swiss team in the team jumping competition, after finishing 14th in the individual dressage event and finished twentieth with his horse " Queen Mary ".
27.
It includes an exhibition of 18th-and 19th-century decorative objects and paintings from the American Wing of the Metropolitan Museum, including a 1775 Philadelphia Chippendale table, an 1817 girandole mirror; favrile glass vases by Louis Comfort Tiffany and an 1882 secretary desk by Herter Brothers.
28.
The surrounding stanzas find the women bathed in silly moonlight that " fubs the girandoles ", leaning out from " the vapid haze of the window-bays ", listening to a guitarist who drones on and on the whole proceedings rendered " faintly or overtly repellent ".
29.
Thus Vasari uses the term fantoccio to describes Tribolo s selection to replace the earlier, inept designers of the Florentine fireworks displays ( girandole ) for the feast of San Giovanni as : " certi fantocciai, che avevano gi?molt anni fatto & mille gofferie " .
30.
The girandole lights suspended in front of the mirrors between the pilasters were semi-circular, so that with their reflection in the mirrors they appeared to be circular chandeliers hanging in space, a useful " trompe l'Sil " to enlarge the somewhat cramped space, which was essentially an enlarged vestibule between the entrance and the " Salon du Roi ".
