Ambrose, a childlike figure in a cricketing cap, is toted in on a litter from the left . The king, a prepossessing presence in a towering crown, arrives on a horse from the right and greets his guest with a magisterially upraised hand.
22.
As the Chambers Brothers sing, the 60-second spot uses fast-cut images of an older man swimming in a pool with his grandchildren, a woman dancing on the beach, and a man atop the Chrysler Building magisterially surveying the New York skyline.
23.
During his interrogations of the magisterially courtly conductor, A { oolnductor as " Hitler's bandleader, " he reviles him with the same kind of obscene language that Nazi officers in the Gestapo used to address Jews in less-than-human terms.
24.
We ought to restrict ourselves to quoting those sources who say it's a hoax, and also quoting the dissenters who say it's not a hoax ( if any )-- and not magisterially tell the reader whose school of thought or hypothesis is " right '.
25.
Crueler still, the juiciest Peppard anecdotes, merchandized in Elizabeth Ashley's magisterially titillating memoir, " Actress, " couldn't be printed in the GMN . In the heat of conjugal tiffs, Peppard smashed her face with a burning skillet and threatened her with a . 357 magnum.
26.
He was best known as Wotan / Wanderer and Hans Sachs; recordings are available with him in these roles from the late 1940s to the mid-1950s, including two complete Meistersingers as Sachs magisterially sung by Frantz and conducted by Rudolf Kempe . " Opera " called his Sachs " one of the most impressive of our day ".
27.
Blake Morrison in " The Guardian " also offered high praise : " " The Plot Against America " creates its reality magisterially, in long, fluid sentences that carry you beyond scepticism and with a quotidian attentiveness to sights and sounds, tastes and smells, surnames and nicknames and brandnames an accumulation of " petits faits vrais " that dissolves any residual disbelief ."
28.
Michael Atkinson of " The Village Voice " praised the film as " an epic, magisterially observed pastiche on all-American geekhood, flooring the competition with a petulant shove . " In a mixed review, " The New York Times " praised Heder's performance and the " film's most interesting quality, which is its stubborn, confident, altogether weird individuality ", while criticizing the film's resolution that comes " too easily . " Film critic Roger Ebert gave the film one-and-a-half stars, writing that he felt that " the movie makes no attempt to make [ Napoleon ] likable " and that it contained " a kind of studied stupidity that sometimes passes as humor ".
