Replete with cinema-derived stage lighting illuminating Manson, the separation between " backstage " / " onstage " has been lifted to portray this cinematic effect; Manson reapplies his makeup front-and-center onstage, stagehands assist with wardrobe changes in full view of the audience, and the final illustration of this concept is that prior to each song's commencement afterwards, a stagehand emerges and signifies that each new act has begun by use of a clapperboard in front of Manson, as if to convey the filmic mantra of " lights, camera, action " and the song begins.
