| 21. | In the original score, the B is written as a sixteenth note while the A is a whole note.
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| 22. | The clarinet gets a chance to play the sixteenth notes that the piano had before the modulation to E major.
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| 23. | Borland also made use of unevenly accented syncopated sixteenth notes and hypnotic, droning licks to create a disorienting effect.
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| 24. | The Preludio demands advanced bowing technique and consists almost entirely of semiquavers ( i . e . sixteenth notes ).
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| 25. | After the first violin states the theme, the cello takes over with a long rippling line of sixteenth notes.
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| 26. | This starts section B, which consists mainly of pulsating low notes with slow sixteenth notes with the right hand.
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| 27. | The second movement is a short and violent scherzo with syncopated rhythms and endlessly furious semiquaver ( sixteenth note ) passages.
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| 28. | This leads into the fast section, which features many fast and aggressive arpeggios, and quick and relentless sixteenth notes.
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| 29. | Borland has also made use of unevenly accented syncopated sixteenth notes to create a disorienting effect, and hypnotic, droning licks.
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| 30. | A flourish of ascending slur-separate sixteenth notes, punctuated by a resolute D from the violin and orchestra concludes the concerto.
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