He said he was pleased with the outcome of the latest venture, despite technical problems, even when he heard his face was a smeary, unrecognizable blur on much of his tape.
22.
For those who think he's nothing but a commercialized, over-exposed fashion illustrator whose gaudy, smeary backgrounds detract from his subjects, all of their opinions are verified in this collection.
23.
The ink is still smeary; and like the old blotting paper that people used when we wrote with fountain pens, the paper pressed against it will pick up an image of what is on the facing page.
24.
Unfortunately " The Idiots, " shot in smeary, hand-held digital video, has nothing on its mind besides the squirming discomfort of its audience, the achievement of which it holds up as a brave political accomplishment.
25.
Many professional reviews have commended it for its excellent pictures at ISO 100, but it has a reputation for excessively " smeary " noise reduction at higher ISO settings, a problem that can be ameliorated by using the RAW capture mode.
26.
If, 100 years ago, the motion picture camera became an instant stand-in for the outward-looking human eye, Oursler believed videotape _ fluid, intimate and ever-mutable _ had become a smeary mirror of our messy internal condition.
27.
The smeary, sometimes silent home-movie images and the low-budget special effects give the movie an intimate, do-it-yourself feel, and also suggest some precedents in the work of underground filmmakers like Jack Smith and video artists like George Kuchar.
28.
For these qualities, you can look to Andy Warhol's smeary Marilyn and Elvis altarpieces, and to Sherman, who, despite her Conceptual credentials and the fact that she was barely in her teens in the 1960s, has always seemed Pop-ish to me.
29.
You're seeing a separate image for each wavelength that's prominent in the light; the ones that are " smeary " are because there, the spectrum of the light is more-continuous, without strong individual " peaks " ( colo [ u ] rs ).
30.
When she re-created her role on Broadway in 1983, Frank Rich of The Times described Kedrova's Madame Hortense as " a small, round, smeary-faced woman out of a Toulouse-Lautrec canvas " who could bat " her big, Betty Boop eyes with a schoolgirl's blushing flirtatiousness ."
