Susan McClary connects this specifically in the sonata-allegro form to the feminist hierarchy of gender ( see above ) in her book " Feminine Endings ", even pointing out that primary themes were often previously called " masculine " and secondary themes " feminine ."
32.
A trumpet fanfare, with runs in the bassoon, and later the violins, appearing to describe the hurrying and excitement of the crowd, introduces a fast tutti section which seems to signal the main body of the overture, but which instead gives way to a sonata-allegro form.
33.
In the theory of sonata form it is often asserted that other movements stand in relation to the sonata-allegro form, either, per Charles Rosen that they are really " sonata forms ", plural or as Edward T . Cone asserts, that the sonata-allegro is the ideal to which other movement structures " aspire ".
34.
They have been described as being based superficially on either the fugue or the sonata-allegro form, These movements can last over 90 minutes, and their thematic character varies considerably : while the opening movement of his Fourth Piano Sonata ( 1928 29 ) introduces seven themes, that of his Second Piano Symphony ( 1954 ) has sixty-four.
35.
In recent times, two other musicologists, James Hepokoski and Warren Darcy, have presented, without reference to Keller, their analysis, which they term Sonata Theory, of the sonata-allegro form and the sonata cycle in terms of genre expectations, and categorized both the sonata-allegro movement and the sonata cycle by the compositional choices made to respect or depart from conventions.
36.
Commenting on his 1979 work " Aureole, " commissioned by Leonard Bernstein and the New York Philharmonic for a tour to the West Coast and Japan, Druckman wrote that whereas other composers considered orchestral color " decorative, " for him it was an " intrinsic and structural " concern, " as central to me as sonata allegro form was for Mozart ."
