| 31. | In musical notation, a caesura is marked by a double oblique lines, similar to a pair of slashes.
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| 32. | This line includes a masculine caesura after ??p , a natural break that separates the line into two logical parts.
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| 33. | Sometimes a sentence runs from caesura to next caesura, as in " The Seventh Elegy " by JiY?Orten:
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| 34. | Sometimes a sentence runs from caesura to next caesura, as in " The Seventh Elegy " by JiY?Orten:
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| 35. | Unlike later writers, Homeric lines more commonly employ the feminine caesura; an example occurs in " Iliad"
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| 36. | The third and fourth feet are spondees, the first of which is divided by the main caesura of the verse.
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| 37. | This line also has an inversion of the fourth foot, following the caesura ( marked with " | " ).
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| 38. | The metre of the poem is of four-stress lines, divided between the second and third stresses by a caesura.
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| 39. | The second anceps is free from this constraint, because a word-break at that point would be a main caesura.
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| 40. | Classical Sanskrit poetry follows strict rules of chandas ( meter ), yati ( caesura ), and prasa ( assemblage ).
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