That natural umber, the way Bey integrates the head and chest voices into curious combinations and his virtuosic blues sensibility are what make him one of the most distinctive singers in jazz.
32.
His landmark recordings completed between 1927 and 1930 thirty songs in total display a combination of powerful " chest voice " singing, slide guitar skills, and originality that has influenced later generations of musicians.
33.
Also in qawwali, there is no distinction between what is known as the chest voice and the head voice ( the different areas that sound will resonate in depending on the frequency sung ).
34.
The song features a soft vocal by Mercury, ending with a strong G4 rising in pitch all the way to C5 in chest voice ( contrary to the other C5s being hit in falsetto ).
35.
As a result, many vocal pedagogists, such as Ralph Appelman at Indiana University and William Vennard at the University of Southern California, have redefined or even abandoned the use of the terms chest voice and head voice.
36.
He recorded examples of male and female singers changing from chest voice to head voice at different pitches in an attempt to prove that the transition pitch is a function of the intensity of the vocal tone and is not absolute.
37.
And it is uncommon for a coloratura soprano to combine, as she does, brilliant agility and warm, affecting sound all the way from her chest voice to the stratosphere, where she can toss off high Fs and even Gs with seeming ease.
38.
His music routinely demands seemingly uncomplementary vocal attributes : agility and lightness, yet dramatic weight and thrust; a strong chest voice, yet a capacity for supple lyricism; high notes that can float above the orchestra one moment and slice through it the next.
39.
According to contemporary accounts of his singing, Tamberlik possessed a big, incisive voice with a pervasive vibrato ( for which he was criticised by some English music critics ) and ringing top notes including a potent top C-sharp delivered in full chest voice.
40.
Rather, qawwals sing very loudly and forcefully, which allows them to extend their chest voice to much higher frequencies than those used in Western singing, even though this usually causes a more noisy or strained sound than would be acceptable in the West.
