| 31. | Even Romains decided that the Right Bank theatres were more hospitable to his work after Copeau rejected one of his plays.
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| 32. | In effect Copeau at first tried to re-establish the school of the Vieux-Colombier in this new context.
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| 33. | Again Dullin showed his talent for character creation and Copeau too took a major role bringing to the text an inspired interpretation.
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| 34. | Upon his return to Paris, Copeau needed a period of rest and reflection, but certain pressing tasks demanded his time.
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| 35. | With some of his actors and young apprentices in tow, Copeau moved to the Burgundy countryside to begin a new project.
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| 36. | Most of the google hits I get are for the French translations she made with Jacques Copeau of Shakespeare's plays.
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| 37. | He studied the nuances of French theatre under Copeau, and he became exposed to performances of Beaumarchais through Copeau s productions.
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| 38. | With the men of the troupe called up for duty, including Copeau, there remained no choice but to close the theatre.
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| 39. | But Copeau was made aware that he needed to bow somewhat to popular taste if the Vieux-Colombier was to succeed financially.
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| 40. | In 1922 and 1923 Evreinov visited Berlin and Paris where his plays were produced by the likes of Jacques Copeau and Charles Dullin.
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