As psychological research has improved immensely since Broadbent's time, more sophisticated measures indicate that we do have an attentional filter, though it is integrated into a broader cognitive system . which is broken down into iconic memory and echoic memory.
32.
According to Charles Shaar Murray, he evoked the guitarist's echoic, free jazz-inspired solos while Lucas performed in the manner of Hendrix's more lyrical rhythm and blues songs; Cosey's guitar was separated to the left register Hendrix achieved on his guitar.
33.
The VB-MAPP was developed by Mark Sundberg, Ph . D ., BCBA-D and is a continuation of the author's 30 + year research in language assessment and intervention as it applies to individuals with speech and language pathologist who includes an assessment of speech sounds with a guide for developmental progression called the Early Echoic Skills Assessment ( EESA .)
34.
As Ingram illustrates, " line 10 look [ s ] back to lines 1-4 " and " line 11 and 12 to the gentler, un-self-regarding tone of lines 5-8 . " Additionally, these lines within quatrain three contrast because of line 10's " harsh alliterating c's and echoic'compounded'" and line 12's " soft alliterating l's ".
35.
Following its steady course through the language over three centuries, the Oxford English Dictionary defined the term as " Money paid to prevent disclosure or exposure, or to hush up a crime . . . . . " ( A century before, Shakespeare used the echoic hush as a noun in " Hamlet " to mean " silent " _ " as hush as death " _ and as a verb in " Twelfth Night,"
36.
Bodhipaksa criticizes Blackmore's inference from becoming aware of sounds that happened in the past to assuming that her consciousness of them is " an attribution made later " because he points out that sounds can persist in echoic memory for 4 seconds : " A lot of Blackmore's descriptions of mindfulness seem to have involved paying attention to what s in echoic memory rather than what she was currently listening to . " Finally, Bodhipaksa notes that some of Blackmore's use of terminology was loose and may reflect " a'feeling'of significance that hasn't been fully thought out or articulated ."
37.
Bodhipaksa criticizes Blackmore's inference from becoming aware of sounds that happened in the past to assuming that her consciousness of them is " an attribution made later " because he points out that sounds can persist in echoic memory for 4 seconds : " A lot of Blackmore's descriptions of mindfulness seem to have involved paying attention to what s in echoic memory rather than what she was currently listening to . " Finally, Bodhipaksa notes that some of Blackmore's use of terminology was loose and may reflect " a'feeling'of significance that hasn't been fully thought out or articulated ."
38.
The track was described by Anderson as where an " electronic cicada introduces a solo chanter before Caribbean rhythms and an arrangement of bagpipes, synthesiser and echoic guitar chords are joined by a strong percussive dance beat which all fades out in an atmospheric swarm of insects . " " Macedonian Women's Rant " is Eastern music-influenced, whilst " Angus McKinnon " features reggae rhythms that " unveil additional disparate tendencies " to the album . " Weary We've Been / Dancing Feet " is one of the album's most upbeat tracks and features the brief injection of a mbaqanga guitar line . " Maids of Mount Cisco " features " funky grooves and jazzy keyboards ", whilst the last track, the title track " Mellowosity ", " displays the band's full palette of colourful sounds which create a complex landscape that begins in deep space, travels to an ambient New Age encampment where synthesiser, keyboards and bluesy guitar riffs set the stage for haunting bagpipe refrains and raunchy bass lines before the whole fades out in a shimmer of electronic tweakings ."
