Though criticized for their conventionalism by the young avant-garde painters and critics, the most talented of the Academic painters renewed the historical genre, drawing inspiration from multiple cultures and techniques, like the Orient and the new framings made possible by the invention of photography
32.
Describing his first trip to a film festival in Biarritz, he wrote " The beach is straight out of Jean Vigo, with framings straight out of ( Henry ) Hathaway, a depth of field out of ( Orson ) Welles, and perspectives out of Fritz Lang ."
33.
An old structure to the rear appears to date from the first quarter of the nineteenth century due to some remaining architrave door framings and doors, the brick noggin walls, and the 6'- 10 " wide fireplaces on both ends of the two-story, hipped roof building.
34.
Every compact smooth manifold of dimension 2n, which has only handles of index d " n, has a Stein structure provided n > 2, and when n = 2 the same holds provided the 2-handles are attached with certain framings ( framing less than the Thurston-Bennequin framing ).
35.
The film has been well received by the critics and considered further proof of Larra�n s talent, previously noted in Time Out, which praised the humorously unconventional framings, expressively washed-out colour tones and mysterious low-key performances that bring together human comedy and historical tragedy to unique, and surprisingly emotional, effect . .
36.
In an interview with " Empire Magazine " s Helen O'Hara, such as film noir framings, Germanic expressionist filmmaking style of the early part of the last century, to which Mangold also stated have a commonality with that of comic-book art, while being those to which he uses in " Logan ".
37.
Where this recording delivers that supposition is in the details and intricacy with which Evans and Hall work, guided by simple framings of standard songs made into personal statements that include no small amounts of innovation . . . At only 32 and a half minutes, it's disappointing there are no bonus tracks and / or additional material for a CD-length reissue, but Intermodulation still remains a precious set of music from these two great modern jazz musicians ."
38.
They are unabashedly " teaching films . " As Dave Kehr explains, " The dialogue is bluntly didactic, with characters telling one another things they would already know entirely for the benefit of the audience . . . . Rossellini isn t asking his viewers to identify with his characters or become caught up in their personal dramas . . . Instead he creates a detached perspective . " Each scene plays out in a single long take, with the camera slowly moving and zooming to create different framings of the action, or, as Kehr puts it, " to close in on details or investigate relationships ".
39.
But Bruder classifies films as using " stylized [ e . g . aestheticized ] violence if they " revel in guns, gore and explosions, exploiting mise-en-scene not so much to provide narrative environment as to create the appearance of a'movie'atmosphere against which specifically cinematic spectacle can unfold . " In movies with aestheticized violence, she argues that the " standard realist modes of editing and cinematography are violated in order to spectacularize the action being played out on the screen "; directors use " quick and awkward editing ", " canted framings, " shock cuts, and slow motion, to emphasize the impacts of bullets or the " spurting of blood ."
40.
"This would mean falling into the messy muck of libidinal flows ( or the Internet or whatever ) without leaving a trace of authorship and without giving in to those dominant modes of leftist discourse ( that mark the academy, the art world, and politics ), which require the artwork to pave the way for didactic redemption, and require that art be boxed into the framings of queer theory or speculative materialism or Zizekian, etc . That is to say, that the Post-conceptual poet could make works that are not afforded privilege of example in the seemingly endless war between neoliberal versus subversive or subjective / affective versus mechanical or the various attempts to wield both subject and object [ . . . ] together vis-?vis universalized particulars like the term queer ."
