Whereas iconography analyses the world of images, stories and allegories and requires knowledge of literary sources, an understanding of the history of types and how themes and concepts were expressed by objects and events under different historical conditions, iconology interprets intrinsic meaning or content and the world of symbolical values by using " synthetic intuition ".
32.
The court further described the " Bow Wow refrain " as the best-known aspect of the song " in terms of iconology, perhaps the functional equivalent of'E . T . phone home'" and held that the jury did not act unreasonably in concluding that there was substantial similarity between the two works.
33.
Lynn LiDonnici observes that modern scholars are likely to be more concerned with origins of the Lady of Ephesus and her iconology than her adherents were at any point in time, and are prone to creating a synthetic account of the Lady of Ephesus by drawing together documentation that ranges over more than a millennium in its origins, creating a falsified, unitary picture, as of an unchanging icon.
34.
Larry Neal described the Black Arts Movement as a " radical reordering of the western cultural aesthetic . " Key concepts of BAM were focused on a " separate symbolism, mythology, critique, and iconology " as well as the African American s desire for " self-determination and nationhood . " BAM consisted of actors, actresses, choreographers, musicians, novelists, poets, photographers and artists.
35.
According to Ernst Gombrich, " the emerging discipline of iconology [ . . . ] must ultimately do for the image what linguistics has done for the word . " However, Michael Camille is of the opinion that " though Panofsky's concept of iconology has been very influential in the humanities and is quite effective when applied to Renaissance art, it is still problematic when applied to art from periods before and after ."
36.
According to Ernst Gombrich, " the emerging discipline of iconology [ . . . ] must ultimately do for the image what linguistics has done for the word . " However, Michael Camille is of the opinion that " though Panofsky's concept of iconology has been very influential in the humanities and is quite effective when applied to Renaissance art, it is still problematic when applied to art from periods before and after ."
37.
The iconology of dinosaurs has become as pervasive at the end of the 20th century as was the dragon myth in 12th-century England, although modern society has adopted a different approach to the monster menace : the English tamed their dragon by having Saint George spear it, while the modern-day dinosaur icon has been smoothed over for children by anthropomorphizing it, alternatively casting it as a dangerous but vulnerable movie villain or by endowing it with furry cuteness.
38.
It should also be noted that Panofsky's " use of iconology as the principle tool of art analysis brought him critics . " For instance, in 1946, Jan Gerrit Van Gelder " criticized Panofsky's iconology as putting too much emphasis on the symbolic content of the work of art, neglecting its formal aspects and the work as a unity of form and content . " Furthermore, iconology is mostly avoided by social historians who do not accept the theoretical dogmaticism in the work of Panofsky.
39.
It should also be noted that Panofsky's " use of iconology as the principle tool of art analysis brought him critics . " For instance, in 1946, Jan Gerrit Van Gelder " criticized Panofsky's iconology as putting too much emphasis on the symbolic content of the work of art, neglecting its formal aspects and the work as a unity of form and content . " Furthermore, iconology is mostly avoided by social historians who do not accept the theoretical dogmaticism in the work of Panofsky.
40.
It should also be noted that Panofsky's " use of iconology as the principle tool of art analysis brought him critics . " For instance, in 1946, Jan Gerrit Van Gelder " criticized Panofsky's iconology as putting too much emphasis on the symbolic content of the work of art, neglecting its formal aspects and the work as a unity of form and content . " Furthermore, iconology is mostly avoided by social historians who do not accept the theoretical dogmaticism in the work of Panofsky.
