"It is still possible that the subjects may not actually see or realize a connection between tone as they use it in language, and pitch as a musical concept, " said Dr . Donald Hall, a physicist at California State University in Sacramento who studies musical acoustics and is a church organist with perfect pitch.
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He also taught numerous extra-curricular courses and seminars about subjects such as : " Disciplines and formative actions in musical acoustics ", " Analytical procedures of contemporary music ", " Introductory seminar to musical techniques and trends from the 20th Century ", " Cultural processes, tradition and rupture " and " Analysis of works from the Renaissance and Baroque ."
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The physics of brass instruments are not well understood, says Murray Campbell, trombonist and physicist in the musical acoustics lab at the University of Edinburgh . " You'd be surprised how little is known about the relationship between what a brass player does with their lips, what the instrument tries to do and the note that actually comes out, " he says.
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The comment by an anonymous user that began this discussion was not made by me ( I did not know that this particular noticeboard existed until just now ), but it matches my opinion more or less and I had previously linked the website search to one or two other people I had hoped might comment on the situation at Talk : Musical acoustics.
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After having thought for a long time about John Cage's remark : " to create new music it is necessary to create new tools ", he was directed by the researcher and acoustician �mile Leipp, director of the Laboratory of Musical Acoustic ( CNRS ) of the University of Jussieu, Paris . He focused on creating a revolutionary instrument that would enable him to create music.
