During his demonstration of what a 32-foot diaphone can do, Mike Everitt flipped a switch, and a low hum filled the glass chamber on the northern side of the Organ Stop Pizza building.
32.
His organs use digitally generated waveforms to emulate the sound of pipe organ stops, and a recent speciality is combining digitally generated organ stops within conventional wind-driven pipe organs, to create a larger hybrid instrument.
33.
His organs use digitally generated waveforms to emulate the sound of pipe organ stops, and a recent speciality is combining digitally generated organ stops within conventional wind-driven pipe organs, to create a larger hybrid instrument.
34.
Changes in registration through use of drawknobs, stop tabs, or other mechanisms to control organ stops allow such instruments to achieve an aggregate range well in excess of pianos and other keyboard instruments even with manuals of shorter size.
35.
Fwiw, My Grove V has a separate entry for " C�leste " ( note the acute accent ), and refers to " Organ stops "; but its appearance in the Organ Stops article is spelled without the accent.
36.
Fwiw, My Grove V has a separate entry for " C�leste " ( note the acute accent ), and refers to " Organ stops "; but its appearance in the Organ Stops article is spelled without the accent.
37.
Dupr? as a young student, had pulled the organ stops for the composer Camille Saint-Sa�ns in a performance of the Symphony No . 3 in Paris, and the organ of Ford Auditorium in Detroit was well suited to the work.
38.
The harpsichord stop levers are laid out in the conventional fashion on either side of the name-board, with the organ stops being placed at either side of the keyboards with a coupling mechanism to the organ at the front of the harpsichord.
39.
Percussion stops ( often referred to as " toy counters " or " toy stops " ), unlike other organ stops, are not aerophones, but actual embedded percussion instruments ( although they may still be actuated by the wind supplies of the organ ).
40.
Voiced to develop both maximum fundamental tone ( as in the Bombarde ) and overtone series ( as in the Posaune ), if the classic voicing technique and use of terminology are followed, the Ophicleide and Contra Ophicleide are among the most powerful and loudest organ stops.
