"Consequentia mirabilis " was a pattern of argument popular in 17th century Europe that first appeared in a fragment of Aristotle's " Protrepticus : " " If we ought to philosophise, then we ought to philosophise; and if we ought not to philosophise, then we ought to philosophise ( i . e . in order to justify this view ); in any case, therefore, we ought to philosophise ."
32.
"Consequentia mirabilis " was a pattern of argument popular in 17th century Europe that first appeared in a fragment of Aristotle's " Protrepticus : " " If we ought to philosophise, then we ought to philosophise; and if we ought not to philosophise, then we ought to philosophise ( i . e . in order to justify this view ); in any case, therefore, we ought to philosophise ."
33.
"Consequentia mirabilis " was a pattern of argument popular in 17th century Europe that first appeared in a fragment of Aristotle's " Protrepticus : " " If we ought to philosophise, then we ought to philosophise; and if we ought not to philosophise, then we ought to philosophise ( i . e . in order to justify this view ); in any case, therefore, we ought to philosophise ."
34.
"Consequentia mirabilis " was a pattern of argument popular in 17th century Europe that first appeared in a fragment of Aristotle's " Protrepticus : " " If we ought to philosophise, then we ought to philosophise; and if we ought not to philosophise, then we ought to philosophise ( i . e . in order to justify this view ); in any case, therefore, we ought to philosophise ."
35.
"Consequentia mirabilis " was a pattern of argument popular in 17th century Europe that first appeared in a fragment of Aristotle's " Protrepticus : " " If we ought to philosophise, then we ought to philosophise; and if we ought not to philosophise, then we ought to philosophise ( i . e . in order to justify this view ); in any case, therefore, we ought to philosophise ."
36.
He goes onto state that the film " attempts to kindle a profundity similar to that of [ " 2001 " ] in its abstract philosophising about the dichotomy of dual worlds, but fails with a combination of meat-and-potatoes science fiction and quasi-profound themes . " He suggests that it is " neither a kid's film nor a cult film ", but rules that " the elements that comprise the finished effort are more than individually successful ."
37.
It is important to note that Arlyn is not described in this wikipedia article as a musician, singer-songwriter, etc . Rather, Arlyn is decribed impersonally as a " musical venture aimed at creating an expression of folk music within a current contemporary idiom "-something which includes singing and writing songs, but also includes philosophising about music itself, engaging in cultural experiments, creating events, and attempting to realise the possibility of folk-minimalism as a general cultural mode and not just a private artistic expression.
38.
No space-age philosophising or profound eco warnings . . . In their place : an expletive-laden, no-bullshit desert-rock firecracker about the maddening nature of modern society . " Speculating about the track's connection to Bellamy's personal life, the review suggested that " the snarl he wraps around lyrics like'love, it will get you nowhere,'meanwhile, will no doubt have some fans wondering how his breakup with partner Kate Hudson might have impacted his psyche while making this record ."
39.
The selection was heavily criticized, and described as " one of the Academy's biggest mistakes " in one Swedish newspaper . " The New York Times " asked why the Nobel committee gave the award to an author whose " limited talent is, in his best books, watered down by tenth-rate philosophising ", adding, " we think it interesting that the laurel was not awarded to a writer . . . whose significance, influence and sheer body of work had already made a more profound impression on the literature of our age ".
40.
It is the third kind that he champions and practises in the film . " She concluded writing, " Uppi2 wants to reform you but overdoes it . " S . Viswanath of " Deccan Herald " wrote, " . . . Upendra takes on a highly philosophical pitch while narrating a convoluted, but cracker of an action plot . " He called the film Upendra's " show all the away " and added that " he goes on philosophising about the real and unreal, seen and unseen, the here and now . " He concluded writing, " [ the film ] climaxes to an unpredictable end, you are in a tizzy, swirled and squished by the storytelling . " Shyam Prasad S . of " Bangalore Mirror " felt that " [ t ] he execution of the film does not match the brilliance of the script . " He drew comparisons of the protagonist's role and philosophy of life to Eckhart Tolle's work " The Power of Now " and Jean-Paul Sartre's short story " Erostratus ".
