Classical bass students learn all of the different bow articulations used by other string section players ( e . g ., violin and cello ), such as d�tach? legato, staccato, martel?( " hammered "-style ), sul ponticello, sul tasto, tremolo, spiccato and sautill?
32.
In particular, fast strokes in the upper half ( " detach?" and " martel?" ), strokes which initiate with a high level of tension between bow and string ( " coll?" ), and deliberately bounced strokes ( " spiccato " and " ricochet " ) are all later inventions which are difficult to achieve with Baroque bows, and are inauthentic for historical performance.
