However, it was actually a " mixed head and chest voice, and not the full chest voice that Italian tenors would develop later " . ( Here, " head voice " refers to falsetto and " chest voice " refers to modal voice .)
42.
However, it was actually a " mixed head and chest voice, and not the full chest voice that Italian tenors would develop later " . ( Here, " head voice " refers to falsetto and " chest voice " refers to modal voice .)
43.
However, it was actually a " mixed head and chest voice, and not the full chest voice that Italian tenors would develop later " . ( Here, " head voice " refers to falsetto and " chest voice " refers to modal voice .)
44.
"Birthday " begins with an intro drum fill, then moves directly into a blues progression in A ( in the form of a guitar riff doubled by the bass ) with McCartney singing at the top of his chest voice with Lennon on a lower harmony.
45.
In the male voice Miller indicates that this " passaggio " occurs between the lower middle register, which is a mixture of predominantly chest voice and some head voice, and the upper middle register, which is a mixture of predominantly head voice and some chest voice.
46.
In the male voice Miller indicates that this " passaggio " occurs between the lower middle register, which is a mixture of predominantly chest voice and some head voice, and the upper middle register, which is a mixture of predominantly head voice and some chest voice.
47.
The quartet's sound is distinguished by its tenor's remarkable range ( up to an chest voice ), though all the singers ( save the bass ) have a remarkable tenor range and often end songs with the baritone or lead singing a higher note than the tenor.
48.
The " passaggi " ( plural ) of the voice lie between the different vocal registers, such as the chest voice, where any singer can produce a powerful sound, the middle voice, and the head voice, where a powerful and resonant sound is accessible, but usually only through vocal training.
49.
The latter type of head voice is, in terms of the vocal cord vibration, actually more similar to " chest voice " than to falsetto, since it uses the same " speaking voice " production ( referred to as " modal " by voice scientists ), and this is reflected in the timbre.
50.
Sarah Rodman from " The Boston Herald " described it as fascinating and wrote, " it sounds as though Carey is singing in falsetto while still in her chest voice . " Critics compared " I Only Wanted " with " My All " s instrumentation and structure of verse, chorus and guitar solo.
