During the period from 1953 to 1956 Neumann introduced a series of small condenser microphones ( KM 53, 54 and 56 ) especially for use in television broadcast studios.
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Condenser microphones are also available with two diaphragms that can be electrically connected to provide a range of polar patterns ( see below ), such as cardioid, omnidirectional, and figure-eight.
43.
Condenser microphones have impedance converter ( current amplifier ) circuitry that requires powering; in addition, the capsule of any non-electret, non-RF condenser microphone requires a polarizing voltage to be applied.
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In recording applications, sound quality is typically prized above toughness, so high end condenser microphones are often used . ( talk ) 15 : 11, 7 August 2007 ( UTC)
45.
Condenser microphones have impedance converter ( current amplifier ) circuitry that requires powering; in addition, the capsule of any non-electret, non-RF condenser microphone requires a polarizing voltage to be applied.
46.
As many mixers are equipped with phantom power in order to enable the use of condenser microphones, care should be taken when using condenser and ribbon microphones at the same time.
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One particular model of Schoeps microphone created for French radio ( the CMT 20 series, 1964 ) has the historical distinction of being the first phantom-powered condenser microphone on the studio market.
48.
Manning recalled that the guitar was " very resonant ", always on the verge of condenser microphone captured the amp and was placed about five inches from the speaker cone, slightly off-axis.
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During one of the segments he mentioned that his favorite microphone is the Neumann U 67 tube ( valve ) condenser microphone, and explained that he uses the microphone on numerous sources.
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The rugged elements of moving-coil microphones can have a dynamic range of up to 140 dB ( at increased distortion ), while condenser microphones are limited by the overloading of their associated electronic circuitry.
