As of October 2016, the review aggregator website Rotten Tomatoes reported that 85 % of critics gave the film positive reviews, based on 60 reviews with an average score of 7.2 / 10.
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On its release, the film positive reviews from critics, who praised the performances, visuals, and action sequences and called it a welcome return to form for Reeves, and grossed $ 86 million worldwide.
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Critics who gave the film positive reviews included Danielle Attali of " Le Journal du Dimanche ", who praised it as " a true wonder, with stunning colors, sensations, emotions, intelligence ".
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Movie critics for " Electric Sheep " magazine and " Empire Online " gave the film positive reviews, while critics for Nitrate Online and the " San Francisco Chronicle " panned the film.
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Although no approval rating on Rotten Tomatoes has been made yet, the Want-To-See score is currently 100 %, also, Rotten Tomatoes critics, Glenn Dunks and Christopher Schobert gave the film positive reviews.
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Modern reception has been more generally positive than the reviewers in 1932, with the film-ranking website Rotten Tomatoes reporting that 100 % of critics had given the film positive reviews, based upon a sample of six reviews.
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As of June, 2009, the review aggregator Rotten Tomatoes reported that 76 % of critics gave the film positive reviews, based on 58 reviews, making the film a " Certified Fresh " on the website's rating system.
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Review Aggregator website Rotten Tomatoes reported that 94 % of reviewers gave the film positive reviews, based on 17 reviews and with an average score of 7 out of 10 and reports that the average audience rating was 3.5 out of 5.
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Other critics gave the film positive reviews, such as Tim Robey of " Screen Daily saying " it is enjoyable entertainment with no real cinematic pretentions "; he laid particular praise on Felicity Jones saying that it confirms her qualities as a leading lady.
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The popular American movie critics Roger Ebert and Richard Roeper both gave the film positive reviews, with Ebert saying that it " doesn't have the zowie factor of " The Lion King " or " Finding Nemo ", but is sweet rather than exciting.