Flamenco music uses the Phrygian scale, together with a modified scale resembling the Arab " maqm $ ijz + " ( like the Phrygian dominant but with a major sixth scale degree ), and a bimodal configuration using both major and minor second and third scale degrees.
42.
A major sixth is also used in transposing music to E-flat instruments, like the alto clarinet, alto saxophone, E-flat tuba, trumpet, natural horn, and alto horn when in E-flat as a written C sounds like E-flat on those instruments.
43.
Another sixty degrees gives us the axis of major sixths, pointing off to the left . The non-unison elements of the 5-limit tonality diamond, 3 / 2, 5 / 4, 5 / 3, 4 / 3, 8 / 5, 6 / 5 are now arranged in a regular hexagon around 1.
44.
George Martin, the Beatles'producer, questioned the validity of the major sixth chord that ends the song, an idea suggested by George Harrison . " They sort of finished on this curious singing chord which was a major sixth, with George [ Harrison ] doing the sixth and the others doing the third and fifth in the chord.
45.
George Martin, the Beatles'producer, questioned the validity of the major sixth chord that ends the song, an idea suggested by George Harrison . " They sort of finished on this curious singing chord which was a major sixth, with George [ Harrison ] doing the sixth and the others doing the third and fifth in the chord.
46.
Nevertheless, we can deduce that one of the early saxotrombas was pitched in E, was equipped with four piston valves, and had a compass that was presumably capable of playing the bass trumpet part in " Das Rheingold " ( which is notated throughout for an instrument in E, sounding a major sixth lower than written ).
47.
For example, the chord Cmin6 contains the notes C-E-G-A . In chord notation, the sixth of either chord is always assumed a major sixth rather than a minor sixth, however a minor sixth interval may be indicated in the notation as, for example, " Cm ( m6 ) ", or Cm m6.
48.
However, it does not mean that these notes must be played within an octave of the root, nor the extended notes in 7th chords should be played outside of the octave, although it is commonly the case . 6 is particularly common in a minor sixth chord ( also known as minor / major sixth chord, as the 6 refers to a major sixth interval ).
49.
However, it does not mean that these notes must be played within an octave of the root, nor the extended notes in 7th chords should be played outside of the octave, although it is commonly the case . 6 is particularly common in a minor sixth chord ( also known as minor / major sixth chord, as the 6 refers to a major sixth interval ).
50.
This means that the set has one major third or minor sixth ( i . e . from C to E, or E to C ), one minor third or major sixth ( i . e . from E to G, or G to E ), and one perfect fifth or perfect fourth ( i . e . from C to G, or G to C ).
