:" While our good English musicians in power with fine orchestras and much money are pummelling to their utmost ability the down-trodden and unrecognised gifts ( ! ) of Richard Strauss and his brethren abroad, we, in our small way, and where we can, try to leaven matters by writing out cheques and playing our own music to recalcitrant audiences!
42.
As the acoustic tour made Grohl realize " we were making music worth listening to, rather than music made for pummelling the person next to you " he decided to give more importance to the lyrics and " have a connection with the crowd in front of us ", considering that among the many compositions the band made on pre-production " the ones that stand out are the ones that say something ".
43.
Stephen Thomas Erlewine wrote that " " Pigwalk " captures the pummelling power of the band's intense live shows, yet the group doesn't yet have the ability to construct a memorable riff or hook, leaving " Pigwalk " as an entertaining, but uncompelling, cross of Rage Against the Machine and Pantera . " On March 3, 1998, Stuck Mojo released their third studio album, " chart.
44.
Their music has been described as " sleazy The Breeders guitar thrash and tasty harmonies, with sugar and spike boy-girl vocals and pummelling Pixies bass and drums . " Their Welsh language song " Paid A Gofyn " " ( " Don't Ask " ) " was citied by Hefin Thomas on the " BBC Radio Cymru " website as " one of their top 10 favourite Welsh tracks of the decade " in 2009.
45.
The band released " Misantropo a Senso Unico " in 2000, which was placed at number 6 in " Terrorizer "'s list of essential European grindcore albums, with deputy editor James Hoare describing it as " primitive, punk, pummelling and most importantly given their self-dubbed'controversial hategrind', genuinely dangerous . " This album went in an even more uncompromising direction and was also the last album to feature Alberto the Crippler on guitar.
46.
And there's no rest for the squeamish in " Hey Daddy " ( with Davis, the product of a divorced family, screaming for his father's love ), followed by the pummelling " No Way " ( " lately everything is gray " ) and the ironic " Let's Get This Party Started, " a story of " constant paranoia . . . everyone is still out to get me ."
47.
In his review for Drowned in Sound, Alexander Tudor observed the album's " abrasiveness, brute force, and determination to push the instrument to its limits, " describing a " relentless pummelling of metal in motion; often aggressive or chaotic, but using scales to evoke a sense of discipline " while noting that Stetson was " equally at home with classical minimalism . " " Exclaim ! " reviewer Vincent Pollard noted how " Vol . 3 " " organically and coherently blends Stetson's avant-garde playing and dark, complex themes with accessible and compelling compositions, " while MusicOMH commented that Stetson was " finding guttural, fuzzy, violent sounds from his saxophone . . . but also finding a disarming warmth where necessary . " In his review for No Ripcord, Stephen Wragg stated that " there s such a polyphonic richness to these recordings that it sounds, at times, like five people are present " and noted that the techniques employed in the recording of the album " creates this heady, vertiginous rush adrenaline-inducing in its deftness; and that s an effect that strikes me as incredibly difficult to recreate in music . " " Spin " s Richard Gehr suggested that the music was " densely multiphonic, often claustrophobic, and reeks of fear and flight " but that it " offers at least a slight sense of salvation, " and concluded that the final album in the trilogy was " music of the moment, a work of granular epiphanies that accrete, finally, into a magnificent whole ."
