| 41. | The primary goal of a convolution reverb is to sample real spaces, in order to simulate the acoustics of the sampled space.
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| 42. | This mathematical definition of probability can extend to infinite sample spaces, and even uncountable sample spaces, using the concept of a measure.
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| 43. | So, when defining a probability space it is possible, and often necessary, to exclude certain subsets of the sample space from being events.
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| 44. | Generally, a minimum tip-sample spacing is specified to prevent the tip from crashing into the sample surface at the 0 V tip-sample bias.
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| 45. | The logic behind this equation is that if the outcomes are restricted to " B ", this set serves as the new sample space.
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| 46. | This is the reason why \ scriptstyle \ mathcal { S } ^ D is considered to be the sample space of compositional data.
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| 47. | In fact these properties imply that the covariance defines an inner product over the L 2 inner product of real-valued functions on the sample space.
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| 48. | In more formal probability theory, a random variable is a mapping that assigns numbers between zero and one to certain subsets of the sample space.
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| 49. | This contrasts with the idea of randomness in probability; in that theory, no particular element of a sample space can be said to be random.
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| 50. | The two year time gap between the completion of the album and its release was explained by the search for a suitable sample space and new members.
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