| 41. | Theodor Adorno identifies this scherzo as the model for the scherzos by Anton Bruckner.
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| 42. | Theodor Adorno identifies this scherzo as the model for the scherzos by Anton Bruckner.
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| 43. | The closing scherzo is almost identical to the opening scherzo, but without repeats.
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| 44. | The closing scherzo is almost identical to the opening scherzo, but without repeats.
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| 45. | He did, writing a trio for the Scherzo and reorchestrating the whole work.
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| 46. | Wiley writes that Tchaikovsky composed the scherzo first.
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| 47. | The third movement is a scherzo and trio.
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| 48. | The middle section is functionally similar to the trio of a standard scherzo form.
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| 49. | The fourth, Allegretto scherzando, is a very quick scherzo-like movement.
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| 50. | The third movement is in ternary form, consisting of a scherzo and trio.
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