He studied with Ernst Krenek from 1936-1947 : " I had already studied & mdash; and abandoned & mdash; the twelve tone system before most other Americans had taken it up . " and " Sound Structures in Music " ( 1975 ).
42.
Shayvitz said the study " means we've identified a system in the brain that allows us to go from looking at printed words to connecting it to the sound structure of words, " and that dyslexics have " glitches " in the system.
43.
Three distinct streams combine to form Wolf's work : sound installations, experimental concert works based on sound structures mostly free from historical associations, and experimental concert works based on reifying the tradition of European art music ( or other world musics ) and then performing operations on its internal principles.
44.
The Scottish Terrier Club of America's code of ethics directs breeders to " breed only Scottish Terriers of characteristic type, sound structure and temperament . . . producing dogs in conformity to the AKC Standard . " There is no work or hunting requirement or inbreeding prohibitions in this breed, which is primarily kept as a pet and showdog.
45.
The rule governing the combination of these forms ensures that the ordinality marker " th " follows the number " ten . " On the level of sound structure ( known as phonology ), structural analysis shows that the " n " sound in " tenth " is made differently from the " n " sound in " ten " spoken alone.
46.
In his efforts to complete the reconstruction of Proto-Nambikwara Sound Structure, Januacele da Costa ( Universidade Federal de Alagoas, Macei? Brazil ) and Wetzels presented a comparative sketch ( in terms of phonology, morphology, and syntax ) of the Nambikwara languages of Brazil and propose a reconstruction of the Proto-Nambikwara sound system as well as a Proto-Nambikwara lexicon.
47.
Of the form, Berio wrote : " Individual words and sentences are sometimes to be regarded as autonomous entities, and sometimes to be perceived as part of the sound structure as a whole . " The instrumentation of " Laborintus II " was written as an " extension " of the vocal material; its electronic section is likewise an extension of the instrumental music.
48.
In contrast " Monument " was well received by Rock Sound who awarded it 8 / 10 " Since metalcore started merchandising a band s image and paint-splattered jock-straps, before a fairly blueprinted sound structure, it s been a difficult path to tread to find which bands are worth sticking around to listen to, but with their second outing Monument, Miss May I have firmly marked their place for Killswitch Engage s support slots.