cardine वाक्य
उदाहरण वाक्य
मोबाइल
- Vertical, from top to bottom, in the first column, Cardine starts off with neumes representing a single note, then two-, three-and four-note groups and many compound neumes and ornamental neumes.
- Carwardine applied for a patent, number 404, 615, for a design using the mechanism on 4 July 1932, and manufactured the lamp himself in the workshops of his own company, Cardine Accessories, in Bath, England.
- In 2000 it merged with Casse Emiliano Romagnole to form Cardine Banca, which in 2002 incorporated into Sanpaolo IMI . As at 31 December 2006, the foundation was the second largest shareholders of the bank for 7.02 %.
- Other students of Cardine, who, like Fischer and Billecocg, held a professorate at the Pontifical Institute of Sacred Music in Rome or other church music institutes, include Marie-Noel Colette, Luigi Agustoni, Johannes Berchmans G�schl and Godehard Joppich.
- There is a precursor of the musical style of BWV 611 the plainchant melody " A solis ortus cardine " / " Hostis herodes impie " accompanied by polyphonic scale motifs in the 1667 " Deuxi�me Livre d Orgue " of Nivers.
- The widely spaced polyphonic texture has been taken as a musical depiction of Sedulius'poetic lines " A solis ortus cardine, ad usque terr?limitem " " From the hinge of the rising sun, To the farthest edge of the earth ".
- Two students of Cardine, Rupert Fischer and M . C . Billecocq, undertook the strenuous task to manually copy the neumes of two schools of generally concordant rhythmic manuscripts ( Einsiedeln / Sankt Gallen and Laon ) into the new type-set Roman Gradual of 1974.
- Unlike Vollaerts, Cardine did not present all the styles of notation to the reader for examination, which means that the reader had no access to certain notations, such as those of Nonantola and Laon, which mark most one-note syllables with a sign indicating a lengthening of duration.
- His other writings include an Abecedarian hymn in honour of Christ, consisting of twenty-three quatrains of iambic dimeters, has partly passed into the liturgy, the first seven quatrains forming the Christmas hymn " A solis ortus cardine "; and the cento, " De verbi incarnatione ."
- His work in the field of semiology was recognized and supported by commissions and led to the publication of the'Graduale Triplex'in 1979, which was based on Cardine's personal Roman Gradual in which, over the years, he had copied many neumes from Sankt Gallen school manuscripts.
- The studies of Cardine and his students ( Godehard Joppich, Luigi Augustoni, Johannes B . G�schl, Marie-No�l Colette, Rupert Fischer, Marie-Claire Billecocq, Alexander M . Schweitzer to name a few ) have clearly demonstrated that rhythm in Gregorian chant as notated in the 10th century rhythmic manuscripts ( notably Skt.
- A considerable number of well-known hymns ( e . g . " Ave Maris Stella ", " A Solis Ortus Cardine ", " Jesu Redemptor Omnium, " " Iste Confessor " ) are not in the Ambrosian Hymnal, but there are many there which are not in the Roman, and those that are common to both generally appear as they were before the revisions of Urban VIII, though some have variants of their own.
- Inspired by, and based on, some of the ideas / concepts of the eminent 20th-century philosopher Jacques Derrida, it aimed to challenge the premises of the comparative methodologies employed by Dom Eug�ne Cardine and his semiological school to study the meaning of the chant signs, as well as to challenge other very influential Gregorian chant theories that are based on the notion of formula and on concepts that are closely related to it such as that of variant, identity, the oral and the written in chant transmission, and the concept of sign meaning.
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