musical acoustics वाक्य
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- In 1979 he was assistant professor at the University of Music and Performing Arts Vienna, and in 1999 was appointed to the chair of musical acoustics, the first such chair in Austria.
- In 1962 the Institute came under the administration of the newly created Prussian Cultural Heritage Foundation, and the Department for Musical Acoustics was established in 1965 through a grant from the Fritz Thyssen Foundation.
- The invention goes back to John Herschel, who proposed a division of the octave into 1000 parts, which was published ( with appropriate credit to Herschel ) in George Biddell Airy's book on musical acoustics.
- "' Lamberto Tronchin "'( born 27 March 1964, Preganziol ) is an Italian acoustician, engineer, theorist, musician and professor of musical acoustics and environmental physics at the University of Bologna . _ _ NOTOC __
- Applications of acoustics are found in almost all aspects of modern society, subdisciplines include aeroacoustics, audio signal processing, architectural acoustics, bioacoustics, electro-acoustics, environmental noise, musical acoustics, noise control, psychoacoustics, speech, ultrasound, underwater acoustics, and vibration.
- Further, not only would they have a real stage with professional stage lighting and great musical acoustics, for the first time they would be guaranteed to be paid a remuneration whether the show was a success nor not.
- In Germany, Ms . Saariaho became acquainted with the work of Gerard Grisey and Tristan Murail, the standard-bearers of Ircam, the pioneering center for research and training in musical acoustics, electronics and computer technology in Paris, founded by Boulez in 1976.
- In 1979 Gregor Widholm was invited to establish the Institut f�r Wiener Klangstil ( IWK ), as an institute of applied research in the field of musical acoustics with a focus, in particular, on the Viennese playing tradition, and on support for players and instrument makers.
- The goal of this system was to provide tools for music educators to use in the development of instructional materials, which might possibly include music dictation drills, automatically graded keyboard performances, envelope and timbre ear-training, interactive examples or labs in musical acoustics, and composition and theory exercises with immediate feedback.
- It really is that simple . ( See Musical Acoustics . ) Third on the list of factors that make the 16th century so important was the Renaissance desire to tell a story, to put people up on a small stage and have them sing songs about Greek mythology the tale of Orpheus, for example.
- "It is still possible that the subjects may not actually see or realize a connection between tone as they use it in language, and pitch as a musical concept, " said Dr . Donald Hall, a physicist at California State University in Sacramento who studies musical acoustics and is a church organist with perfect pitch.
- He also taught numerous extra-curricular courses and seminars about subjects such as : " Disciplines and formative actions in musical acoustics ", " Analytical procedures of contemporary music ", " Introductory seminar to musical techniques and trends from the 20th Century ", " Cultural processes, tradition and rupture " and " Analysis of works from the Renaissance and Baroque ."
- The physics of brass instruments are not well understood, says Murray Campbell, trombonist and physicist in the musical acoustics lab at the University of Edinburgh . " You'd be surprised how little is known about the relationship between what a brass player does with their lips, what the instrument tries to do and the note that actually comes out, " he says.
- The comment by an anonymous user that began this discussion was not made by me ( I did not know that this particular noticeboard existed until just now ), but it matches my opinion more or less and I had previously linked the website search to one or two other people I had hoped might comment on the situation at Talk : Musical acoustics.
- After having thought for a long time about John Cage's remark : " to create new music it is necessary to create new tools ", he was directed by the researcher and acoustician �mile Leipp, director of the Laboratory of Musical Acoustic ( CNRS ) of the University of Jussieu, Paris . He focused on creating a revolutionary instrument that would enable him to create music.
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