spiccato वाक्य
उदाहरण वाक्य
मोबाइल
- When using the full bow hair, the bow bounces more and has a shorter character, while when the bow hair is angled, the character of the spiccato becomes more mellow and longer.
- He achieved a very light staccato and spiccato, and he made his beautiful silvery sound using the bow at the tip far more than most cellists and liked the hair to be on the loose side.
- Moreover, Roisman had his own issues in particular Hauser and Ipolyi, who could not play Spiccato ( German " Springbogen " ), so that the quartet was forced not to use it.
- The ability to perform Spiccato was made much easier after the development of a concave bow ( bending toward the hairs ) by Francois Tourte ( 1747-1835 ) On the Kinematics of Spiccato Bowing ..
- The ability to perform Spiccato was made much easier after the development of a concave bow ( bending toward the hairs ) by Francois Tourte ( 1747-1835 ) On the Kinematics of Spiccato Bowing ..
- The ability to perform " spiccato " was facilitated by the development of the Tourte bow the modern bow, in which the bow had a concave curve, developed by Fran�ois Tourte partly in collaboration with Giovanni Battista Viotti.
- Another method of varying the speed is by varying the height of the bow above the string ( the higher the bow jumps the longer the time required for the bow to return to the string and therefore the slower will be the resulting spiccato ).
- One selection, " Ecstasy of Gold " from director Sergio Leone's " The Good, The Bad and The Ugly, " is an exuberant horse ride through syncopated passages, brushed spiccato bow strokes and the upper reaches of the cello's register.
- The speed can also be controlled by varying the height of the bow above the string : the higher the bow bounces, the longer the time required for the bow to return to the string, and therefore the slower the resulting " spiccato ".
- In addition to musical works, Spohr is remembered particularly for his " Violinschule " ( The Violin School ), a treatise on violin playing which codified many of the latest advances in violin technique, such as the use of " spiccato ".
- Classical bass students learn all of the different bow articulations used by other string section players ( e . g ., violin and cello ), such as d�tach? legato, staccato, martel?( " hammered "-style ), sul ponticello, sul tasto, tremolo, spiccato and sautill?
- In particular, fast strokes in the upper half ( " detach?" and " martel?" ), strokes which initiate with a high level of tension between bow and string ( " coll?" ), and deliberately bounced strokes ( " spiccato " and " ricochet " ) are all later inventions which are difficult to achieve with Baroque bows, and are inauthentic for historical performance.
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