stereophonic recording वाक्य
उदाहरण वाक्य
मोबाइल
- They were not widely available outside France, and as the company failed to keep pace with the introduction of stereophonic recording its catalogue went out of print during the 1960s.
- In February 1954, RCA made its first commercial stereophonic recordings, taping the Boston Symphony Orchestra, conducted by Charles M�nch, in a performance of " The Damnation of Faust " by Hector Berlioz.
- After General Electric's Pallophotophone fell out of use in the early 1930s, optical multi-track recording did not have a resurgence for nearly three decades when high fidelity and stereophonic recordings became available commercially.
- New recordings of the Variations were later made following the introduction of the long playing record in the early 1950s, and after the introduction of stereophonic recording towards the end of the decade.
- A stereo microphone is often used for broadcast applications or field recording where it would be impractical to configure two separate condenser microphones in a classic X-Y configuration ( see microphone practice ) for stereophonic recording.
- Despite the drawbacks, Kingsway became the most sought-after recording venue for orchestral music in England because of its central location and excellent acoustics, particularly in the 1950s and 1960s, when companies were converting from monaural to stereophonic recordings.
- Coinciding with the dawn of stereophonic recording, the Willcocks era was generously represented on long-playing records, and this new London " Double Decker " ( two CDs for the price of one ) samples releases from 1959 to 1965.
- In March 1954, Fritz Reiner made the first stereophonic recordings with the CSO, again in Orchestra Hall, for RCA Victor, including performances of two symphonic poems by Richard Strauss : " Ein Heldenleben " and " Also sprach Zarathustra ".
- Described by BBC Radio 3 as " one of the great British musical directors ", Alwyn is known for his many recordings, including with the London Symphony Orchestra on Decca s first stereophonic recording of Tchaikovsky s " 1812 Overture ".
- For the gramophone, Grund�n recorded the role of Danilo for Decca in the first stereophonic recording of " The Merry Widow ", produced in 1958 by John Culshaw, with Hilde Gueden, Waldemar Kmentt and Emmy Loose and the Vienna Philharmonic Orchestra conducted by Robert Stolz.
- In the early 1970s, Vox and its subsidiaries issued a number of compatible quadraphonic / stereophonic recordings using the Sansui QS quadraphonic matrix system; some of the ambience can still be heard when the CD versions are played with an amplifier with Dolby decoding and four speakers.
- His first stereophonic recording with the Boston Symphony, in Boston's Symphony Hall in February 1954, was devoted to a complete version of " The Damnation of Faust " by Hector Berlioz and was made simultaneously in monaural and experimental stereophonic sound, although only the mono recording was released commercially.
- Decca's emergence as a major classical label may be attributed to three concurrent events : the emphasis on technical innovation ( first the development of the FFRR technique, then the early use of stereophonic recording ), the introduction of the long-playing record, and the recruitment of John Culshaw to Decca's London office.
- German audio engineers working on magnetic tape developed stereo recording by 1941, even though a 2-track push-pull monaural technique existed in 1939 . Of 250 stereophonic recordings made during WW2, only three survive : Beethoven's 5th Piano Concerto with Walter Gieseking and Arthur Rother, a Brahm's Serenade, and the last movement of Bruckner's 8th Symphony with Von Karajan.
- His more ambitious 1941 recording, with the Bavarian State Orchestra, utilized the full orchestral forces called for by the score ( see below ) and was later issued on LP and CD . Due to the wide dynamic range of the music, the symphony became very popular for high fidelity and stereophonic recordings, beginning with Karl B�hm's 1957 recording.
- Decca started first actual stereophonic recording in 13 28 May 1954, at Antar " by Nikolai Rimsky-Korsakov ( This is the official first actual stereo recording of Decca ); " Stenka Razin " by Alexander Glazunov; " Tamara " by Mily Balakirev; Anatoly Liadov's " Baba-Yaga ", " Eight Russian Folksongs ", " Kikimora "; and " Le Martyre de saint S�bastien " by Claude Debussy.
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