parlour game वाक्य
उदाहरण वाक्य
मोबाइल
- The first reference to Snap-dragon explicitly as a parlour game is in Francis Grose's " Dictionary of the Vulgar Tongue " ( 1811 ) : " Christmas gambol : raisins and almonds being put into a bowl of brandy, and the candles extinguished, the spirit is set on fire, and the company scramble for the raisins ."
- He started the 3 / 1 favourite ahead of Parlour Games whilst the other ten runners included Three Musketeers ( Leamington Novices'Hurdle ), Days of Heaven ( Dovecote Novices'Hurdle ), As de Mee ( EBF Novices'Handicap Hurdle ), Sub Lieutenant ( Michael Purcell Memorial Novice Hurdle ), Ballybolley ( Champion Standard Open NH Flat Race ) and McKinley ( Slaney Novice Hurdle ).
- A Maigue Poets, and may derive from an earlier form of nonsense verse parlour game that traditionally included a refrain that included " Will [ or won't ] you come ( up ) to Limerick ? " The earliest known use of the name " Limerick " for this type poem is an 1880 reference, in a Saint John, New Brunswick newspaper, to an apparently well-known tune.
- Therefore, Walsh openly expressed the change of tactics in order to tackle the extra distance : " I wouldn t want to make the running on him " which he applied during the race, restraining Nichols Canyon in the early stages and only beginning to make headway 3 furlongs from home, but after a mistake at the second last hurdle he was unable to make any further progress on the leaders and stayed on for third behind Windsor Park and the Challow Novices'Hurdle winner Parlour Games.
- Stated this way, compass and straightedge constructions appear to be a parlour game, rather than a serious practical problem; but the purpose of the restriction is to ensure that constructions can be " proven " to be " exactly " correct, and is thus important to both drafting ( design by both CAD software and traditional drafting with pencil, paper, straight-edge and compass ) and the science of weights and measures, in which exact synthesis from reference bodies or materials is extremely important.
- Dan Silver of " NME " said that while the " sheer scope " of Girl Talk's sampling sets him apart from other mash-up artists, " Night Ripper " " begins to feel much less than the sum of its samples, " ultimately describing it as " not so much a work of art, then, as the basis for a 21st century parlour game . " While writing that the album " isn't exactly high art ", Noel Murray of " The A . V . Club " described " Night Ripper " as " one of the most purely fun albums to come along since The Go!
- Peter Fraser writes ( 1970, p . 8 ), " the drama developed as a succession of incidents which the audience could join or leave at any time, and much of the show was impromptu . " This was elaborated by George Speaight ( 1970, p . 78 ), who explained that the plotline " is like a story compiled in a parlour game of Consequences . . . the show should, indeed, not be regarded as a story at all but a succession of encounters . " Robert Leach makes it clear that " the story is a conceptual entity, not a set text : the means of telling it, therefore, are always variable . " Rosalind Crone ( 2006, p . 1058 ) asserts that the story needed to be episodic so that passersby on the street could easily join or leave the audience during a performance.
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