transcendental aesthetic वाक्य
उदाहरण वाक्य
मोबाइल
- In Section I ( Of Space ) of Transcendental Aesthetic in the " Critique of Pure Reason"
- The Transcendental Aesthetic is that part of the " Critique of Pure Reason " that considers the contribution of sensation to cognition.
- The other part of the Transcendental Aesthetic argues that time is a pure " a priori " intuition that renders mathematics possible.
- Kant's division of " Transcendental Aesthetic " and " Transcendental Logic " result from these two kinds of knowledge.
- In the'Transcendental Aesthetic', Kant used transcendental arguments to show that sensory experiences would not be possible apart from our contributing to them their spatial and temporal form.
- That is, he argues that the possibility of experience depends on certain Transcendental Aesthetic " are that mathematic judgments are synthetic " a priori " and in addition, that Space and Time are not derived from experience but rather are its preconditions.
- Kant posited methods by which human understanding makes sense of and thus intuits phenomena that appear to the mind : the concepts of the " transcendental aesthetic ", as well as that of the " transcendental analytic ", " transcendental logic " and " transcendental deduction ".
- The Critical project, that of exploring the limits and conditions of knowledge, had already produced the " Critique of Pure Reason ", in which Kant argued for a Transcendental Aesthetic, an approach to the problems of perception in which space and time are argued not to be objects but ways in which the observing subject's mind organizes and structures the sensory world.
- This condition of experience is part of what it means for a human to cognize an object, to perceive and understand it as something both spatial and temporal . " I understand by the transcendental idealism of all appearances the doctrine that they are all to be regarded as mere representations and not as things in themselves, and accordingly that space and time are only sensible forms of our intuition & hellip; " Kant argues for these several claims in the section of the " Critique of Pure Reason " entitled the " Transcendental Aesthetic ".
- Trendelenburg's position on the debate ( the position that " Kant may establish that space and time are " Transcendental Aesthetic, " but this in no way entails that space and time have nothing to do with the objects outside of possible experience " ) has been variously dubbed as " Neglected Alternative, " " Trendelenburg's gap " [ " die trendelenburgische L�cke " ], " Pistorius's gap [ " die pistorische L�cke " ] " ( named after ), or " third possibility " [ " die dritte M�glichkeit " ].
- In addition to the work of Hermann von Helmholtz and Eduard Zeller, early fruits of the movement were Kuno Fischer's works on Kant and Friedrich Albert Lange's " History of Materialism " ( " Geschichte des Materialismus " ), the latter of which argued that transcendental idealism superseded the historic struggle between material idealism and idealist Friedrich Adolf Trendelenburg concerning the interpretation of the results of the Transcendental Aesthetic, a dispute that prompted Hermann Cohen's 1871 seminal work " Kants Theorie der Erfahrung ", a book often regarded as the foundation of 20th-century neo-Kantianism.
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