The Ferrograph tape-recorder was used for mixing much of the background sound.
2.
In 1977, Huggett had been working for Ferrograph, for 3M in their digital multi-track division, and as a freelance studio maintenance engineer.
3.
The recordings were originally made by her husband Rodney Drake on a home Ferrograph recorder, the released versions of which were engineered by John Wood and produced by Cally Callomon.
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