Rathi Raja is a South Asian Indian English and developed an enduring interest in the multifariousness of Indian cultural tradition.
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Notwithstanding the question if this world of stimuli consists of physical or social circumstances and factors-its multifariousness is life s condition ."
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But its subject is itself a form of fluidity : the multifariousness of materials and objects as they are shaped by different needs and sensibilities.
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Then, too, composers should be sought on grounds of merit rather than because they adhere to some Internet philosophy of electronic multifariousness, as with Subotnick or, last year, Tod Machover.
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Since then, it has accrued countless other activities, though this multifariousness does not spell efficiency : other bodies can do much of the U . N .'s economic work and do it better.
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Meanwhile, Outkast's duality is only a fraction of the multifariousness of the Wu-Tang Clan, whose many members make it more like a hip-hop coalition meeting than a standard group.
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Thus when one inserts ideal-types into this concrete dynamic process one does categorical violence to multifariousness of the population and similarly reduces feeling, emotions, non-economic social standing such as honor, and status, as Weber describes, to economism.
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By harnessing the power of the individual, his work engendered positive propaganda that would incorporate " black participation in a larger national culture . " Motley s work pushed the ideal of the multifariousness of blackness in a way that was widely aesthetically communicable and popular.
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The key feature of Urquijo s work is its great multifariousness, as his contribution falls into a number of areas : general linguistics, comparative linguistics, paremiology, onomastics, ancient songs and stories, origin of the Basque language, folklore, archaeology, heraldry, etymology, music, literature including poetry, invented universal languages and commercial history of Bilbao, not to count single pieces representing odd and isolated subjects.
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One has " thousands " simultaneously . [ & ] And this variegation, this multifariousness, this " illogicality " which our senses demonstrate, the illogicality presented by their interactions, set forth by some mounting rush of blood, by some reaction of the senses or the nerves, this I should like to have in my music . " In 1949 Schoenberg still remembered being " intoxicated by the enthusiasm of having freed music from the shackles of tonality " and believing with his pupils " that now music could renounce motivic features and remain coherent and comprehensible nonetheless ".
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