| 1. | The left hand technique in this piece involves evenly played semiquavers throughout.
|
| 2. | Once started, the semiquaver figures form a moto perpetuo.
|
| 3. | They all assume a similar character of rustling semiquavers and an expectant mood.
|
| 4. | The exposition ends with a semiquaver cadential theme.
|
| 5. | The primary feature is the staccato semiquaver bass.
|
| 6. | The bass line incorporates the semiquaver scales.
|
| 7. | It is filled with rapid semiquavers derived from the cyclic theme ( excerpt 4 ).
|
| 8. | The second interlude of three bars has both parts playing these semiquaver figures in parallel.
|
| 9. | Above the pedal the third subject and its semiquaver countersubject are developed with increasing expansiveness and continuity.
|
| 10. | The semiquaver scale motif in bar 4 is also related and is much developed throughout the piece.
|
मोबाइल