In his poetry, love was de-sensualised and idealised.
2.
Even here Xenocrates's preference for symbolic modes of sensualising or denoting appears : he connected the above three stages of knowledge with the three categories.
3.
Amrita Sher-Gil did not sensualise her women but instead portrayed them as facing great adversity yet having the spirit to transcend a destiny that they were unable to change.
4.
Bhaktisiddhanta opposed the smarta brahmanas and sensualised practices of numerous Gaudiya Vaishavism spin-offs, branding them as " apasampradayas " deviations from the original Gaudiya Vaishnavism taught in the 16th century by Caitanya Mahaprabhu and his close successors.
मोबाइल