| 1. | Tempus similarly describes the relationship between the breve and semibreve.
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| 2. | Semibreves highlighted in blue, breves in red, longae in green.
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| 3. | Ligature forms exist only for the larger note values from the semibreve upwards.
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| 4. | Petrus is credited with the innovation of writing more than three semibreves to fit the length of a breve.
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| 5. | In 1665 he caused every semibreve to be barred in the dance tunes; in 1672 he began engraving on copper plates.
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| 6. | Italian " divisiones ", first described by Marchetto da Padova, can also allow four minims within a semibreve.
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| 7. | Pratt recalled that after the semibreves ] on the end, and Chester, bring in your guitar on the second verse ."
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| 8. | In addition to sequences of longa and breve, ligatures could also contain pairs of semibreves ( but not normally a single one ).
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| 9. | By the 16th century, the tactus was generally two semibreves per breve, with three per breve used for special effects and climactic sections.
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| 10. | Older music might be diminished by a factor of 4 ( rendering semibreves as crotchets ) or sometimes 8 ( rendering breves as crotchets ).
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